作为文学家兼戏剧家,李健吾一生(1906—1982)都有点戏剧性。他一再强调文学批评本身也是一种艺术(《李健吾文学评论选》,宁夏人民出版社,1983,“序一”页1,页3,页215),还把批评家对创作家作品的理解和掌握比作“快马”。风驰电掣的快马形象,我认为,也与戏剧性有关。而在他的场合,戏剧性又不只限于他有过戏剧(话剧)方面的多种经历。他,特别在他的盛年,就是一般为文,也如他平素为人 As a writer and dramatist, Li Jianwu’s life (1906-1982) is a bit dramatic. He has repeatedly stressed that literary criticism is also an art in itself (Li Jianwu Literary Criticism, Ningxia People’s Publishing House, 1983, pp. 1, p.3, p.215) Comprehension and mastery as “fast horse ”. Parasol fast horse image, I think, but also with the dramatic. And in his case, the dramatic is not limited to his many experiences in drama (drama). He, especially in his prime, is the general text, but also as he is usually man