中国戏曲传情达意展现美的方式主要是通过演员外部造形与声腔。在众多表现形式中有些手法却是非直接性的。它们的特点是:所表达的内容是通过某种方式辗转使观众领悟。观众在领悟某种暗示手段的含义后并不就此止步,而需运用形象思维联想出与戏情有密切的、直接关系的,但却因某种原因在舞台上不易或无需加以表现、说明的内容。戏曲中的暗示手法多带有启发、诱导和刺 The traditional way of expressing the beauty of the Chinese opera is through the external shape and voice of the performer. Some of the many forms of expression are indirect. They are characterized by: The content is expressed in a way that allows the viewer to comprehend. The audience, after comprehending the meaning of some kind of suggestion, does not stop there. Instead, it needs to use the image of thinking to come up with a direct and direct relationship with the play, but for some reason is not easy or needless to say on the stage. content. The hints in the operas are inspired, induced and stabbed