戴恒扬在上海画家中,他具有较多的文化参与意识。从作品来看,无论是写实的《希望在田野上》还是逐渐向文化内涵延伸的《文字》系列,都有这种倾向。 在这两类作品过渡中,他借用过类似卢奥的表现主义手法, Dai Heng Yang in Shanghai painter, he has more awareness of cultural participation. From the point of view of works, there is such a tendency both in the realistic “hope in the field” and in the series of “characters” that gradually extend to the cultural connotation. In the transition between these two types of works, he borrowed expressionists like Luau,