“树小房新画不古,此人必定是内府。”这是流行于晚清揶揄内务府新贵的一句俚语。墙上悬挂的书画,竟使当时的暴发户们露出了马脚,这是当今人们很难想象的。中国书画收藏的着眼点取决于藏家的才情、审美趣向与目的,自然是见仁见智,各有不同,然而这并不意味着便失去了探讨的意义。一般而论,中国书画收藏主要应着眼于以下三个方面: “Tree small new painting is not ancient, this person must be within the House. ” This is popular in the late Qing dynasty house government upstart a slang. Hanging on the wall painting, actually so that the upstarts were exposed, it is hard to imagine today. The focus of Chinese painting and calligraphy collection depends on the talent of the collectors. The aesthetic taste and purpose are naturally different from others. However, this does not mean losing the significance of the exploration. In general, the main collection of Chinese calligraphy and painting should focus on the following three aspects: