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2017年是中国话剧诞生的第110年。1907年《茶花女》片段和《黑奴吁天录》演出拉开了“话剧历史的序幕”。中国话剧有别于中国传统戏曲,它不以歌舞演故事,而是以对话、形体动作和舞台布景创造真实的舞台视觉。这种以对话为主要手段的“舶来品”戏剧,20世纪初在中国被称为新剧、新戏、文明戏等。春柳社创始人李叔同曾言:“演艺一事,关乎于文明至巨!”;春阳社创始人王钟声宣称,演戏是为了“唤起沉沉之睡狮”;田汉说,“知道真正的新剧不是单叫人白相、开心,是叫人思想的。”强
2017 is the 110th year of Chinese drama. 1907 “Camellia” fragment and “Black Sox day record” performance opened the “prelude to drama history.” Chinese drama is different from the traditional Chinese opera, it does not song and dance stories, but to dialogue, physical movements and stage scenery to create a real stage of vision. This dialogues as the main means of “exotic” drama, early twentieth Century in China is known as the new drama, new drama, civilized drama and so on. Li Shuang, founder of Chunliu Society, once said: “performing arts is about civilization to the gigantic!”; Wang Zhongsheng, founder of Chunyang Society, declared that the acting is “to arouse the sleeping lion”; Tian Han said, “know The real new drama is not just white, happy, it is human thought. ”Strong