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通过民俗学及人类学视角考察刀郎舞在传统民俗礼仪中的功能。采用法国人类学家范热内普的“过渡礼仪”理论,以新疆维吾尔族刀郎人的“久万托依”人生礼仪中的舞蹈部分为对象进行分析,由此探讨刀郎舞在特定民俗语境中的功能。通过对刀郎舞“久万托依”的研究,研究表明:“久万托依”是维吾尔族刀郎妇女的大型人生仪式,通过跳刀郎舞而实现自我在社会中角色的转换。刀郎舞在“久万托依”的过渡礼仪中有着娱乐功能、社会功能以及心理功能,使刀郎妇女顺利完成人生角色的转换,同时增进妇女与家庭成员之间的和谐关系,促进家族和谐的结论。
Through the perspective of folklore and anthropology, it explores the function of Dao Lang in traditional folk custom. Adopting the “transition etiquette” theory of the French anthropologist Fan Nehope, this paper analyzes the part of the dance of the “Uygur and Uighur Dao Lang people’s life etiquette” Functions in a Specific Folklore Context. Through the research on Dao Lang ’s “Long Wan Tuo Yi ”, the research shows that “Long Wan Tuo Yi” is a large-scale life ritual of Uighur Dao Lang women. Doraemon has entertaining functions, social functions and psychological functions in the transitional etiquette of “long-wan-tori”, so that Dalang women successfully complete their roles in life and at the same time promote the harmonious relationship between women and family members and promote family harmony Conclusion.