浅析“大音希声,大象无形,大巧若拙”在音乐中的体现——以钢琴为例

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“大音希声”指最大最美的声音乃是无声之音,即达到极致的东西是不可捉摸的。“大象无形”指最美的形象就是没有形象.有意化无意。大象化无形!就是不要显刻意,不要过分的主张,无形态无框架才能容纳一切形体!要兼容万态。钢琴作为乐器之王,能演奏出每位音乐家的作品,能通过其弹奏的音色、旋律将每首曲子所要表达的感情传递给听众,更好的体现出“大音希声,大象无形,大巧若拙。”老子先生总结的这三句经典感悟,让我们在拥有生活感悟的同时与音乐作品所表达的感情相结合起来,通过简单的旋律和音乐让我们更好地体会到人生的酸甜苦辣。本文根据自我专业方向研究与理论相结合,通过三个方面对“大音希声,大象无形,大巧若拙”进行研究:“大音希声,大象无形,大巧若拙”的具体含义及内涵;“大音希声,大象无形,大巧若拙”在音乐中的具体体现,主要通过两首钢琴作品进行分析;总结“大音希声,大象无形,大巧若拙”如何更好的与所学专业知识相结合。 “Big tone Greek sound ” refers to the largest and most beautiful voice is the silent voice, that is to achieve the ultimate thing is elusive. “Elephant invisible ” refers to the most beautiful image is no image. The elephant is invisible! That is, do not be explicit, do not over-claim, no form without frame to accommodate all the body! To be compatible with the state. Piano as the king of musical instruments, can play each musician’s work, through its playing tone, melody will express the feelings of each song to the audience, better reflect Like the invisible, big and small. “Mr. Laozi summarized these three classic sentiment, let us have the life of the sentiment at the same time with the feelings expressed in the musical works together, through a simple melody and music let us better Experience the ups and downs of life. Based on the research of self-professional direction and theory, this paper studies ”Dagongxiu, elephant’s invisible, big and weak“ through three aspects: ”Big sounding, elephant invisible, Clumsy “in the concrete meaning and connotation; ” big tone Xi Sheng, the elephant is intangible, big and clumsy “in the concrete manifestation of music, mainly through the analysis of two piano works; Summary Elephant invisible, big and clumsy ”How to better and learn the expertise combined.
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