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作为隐喻的要素,结核病与其他传染病一样,在现代文学中起了很重要的作用,在郭沫若的文学创作中也承担了很重要的角色。《残春》以结核病为一个聚焦点,描写了爱牟对S姑娘的纠结的恋慕心理。作品中表现了现代科学与自我意识的交错。结核在他的作品中充当了一个重要的隐喻性角色。梦境的描写也为作品加上了一个特别的心理场景,使登场人物的告白吐露得更切实,内心世界表象得更真实。对结核病的描写见于郭沫若的早期作品,这与这个时期郭沫若尝试心理描写、告白,重视自由恋爱,宣扬自我等都有着密切的关联。《残春》中有关结核的写实性描写与隐喻都体现了郭沫若的浪漫风格。可以说,这部作品是探讨“医学·文学·身体”课题的一个恰当的例子。
As an element of metaphor, tuberculosis, like other infectious diseases, plays an important role in modern literature and plays a very important role in Guo Moruo's literary creation. “Residual Spring” to tuberculosis as a focal point, describes the love of Mu Sang's tangled love psychology. The work shows the intersection of modern science and self-awareness. Tuberculosis plays an important metaphorical role in his work. The description of dreamland also adds a special psychological scene to the work, making the proclamation of the debut characters more concrete and the inner world being more realistic. The description of tuberculosis is found in the early works of Guo Moruo, which is closely related to Guo Moruo's attempt to describe the psychology, confess, attach importance to free love, and promote himself during this period. The realistic description and metaphor of Tuberculosis in the remnants of spring reflected the romantic style of Guo Moruo. It can be said that this work is an appropriate example of the topic of “Medicine, Literature and Body”.