一李笠翁为了论证搬演旧剧“须择其可增者增,当改者改”,援女娲补天的故事道:“女娲氏炼石补天,天尚可补,况其他乎。”李渔的见识在当时是相当高超的了。即使三百年过去了,我们的导演还能从中找到益智壮胆的力量。天衣无缝的剧本世间少有。所以昔之伶工、今之导演有必要对原作“泥补空隙,润泽枯藁”。但这仅仅是问题的一个方面。导演艺 Li Li Weng in order to demonstrate the move to play the old drama “must choose to increase, when the change”, aid Nu Wa Tian days story: “Nu Wa’s refinement Tian Tian, ​​the sky can still make up, nothing else.” Li Yu’s knowledge at that time was quite superb. Even three hundred years later, our director can find the courage and courage. Few seamless script world. Therefore, the past Ling workers, director of this is necessary for the original “mud fill gap, moist dry.” But this is only one aspect of the problem. Director Arts