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目的:本文旨在探讨正书点画结构演变为草书使转构形之种种变化,以及草书行笔之气韵。方法:采撷历代名家草书碑帖字例,将其使转构形与相应繁体楷书之点画结构逐笔对照,探究由正化草之演变。并根据笔力、笔法、笔势、用墨等特点,分析草书之行笔气韵。结果:作者析理归纳,提出草书嬗变二十四法(连融串断、扩缩增删、欹正直曲、顺逆后先、降升左右、倒反代兼)与草书行笔八象(刚柔枯润,朴秀奇颠),以解草书之所以其然。
Aims: This article aims to explore the changes of the structure of Zhushu Dianhua to Cursive Scriptures, and the charm of cursive cursive writing. Methods: Take the example of famous cursive calligraphy and calligraphy of ancient dynasties, compare it with the point-and-click structure of the corresponding traditional regular script, and explore the evolution from Masamune. And according to force, style of writing, gestures, with ink and other characteristics, analysis cursive pen rhyme. Results: According to the generalization of the curse, the author proposed that the cursive transmutation of Twenty-Four Laws (with even series, expansion and deletion, and right orthodontics, Soft dry Run, Park Sau-kai Britain), to explain the reason why cursive.