对于肌理的深切感受,人类是自初生伊始的。从未及降生在胎中的蠕动、踢腿仲于,到初生婴儿对于母亲乳房温软柔滑的触觉,对于乳汁流淌涌动的吞咽。物质组织结构的各种不同与相似,时时刻刻刺激着我们的神经与大脑。通过记忆留存,成为经验。从婴幼到青春年少至中天壮年及日暮耄耋,这其间既有无数不等量的光滑与毛糙、细腻与粗犷、平整与斑驳、柔软与坚硬、疏松与窒密,便有无数样式的经验生成。所有的肌理,往往归结为形态样式与构成关系。于是,一组一定形态下具有一定构成关系的肌理,就会有一种相对同一的情感信息。同样,不同的形态、不同的构成关系下,必定显现出不同的情感构架。这种经验之内的体认,通过积累,变成了无穷无尽的衍化之源,变成了想象力与创造力。版画之于我,即是个体经验体系中,我之于肌理的体认的个性情感下的模仿。我做版画,只是因为我觉得,它是区别于其他媒材能够给我的情感表达样式的一种特别 The profound feeling of the texture, humanity has been from the beginning of newborn. Never since birth in the fetal motility, kicking, to the newborn baby’s milk for the mother’s soft, soft touch, swallowing milk flow surging. The physical structure of the various different and similar, always stimulate our nerves and brain. By memory retention, become experience. From infancy to youth and from mid-day to late-summer and twilight life, there are innumerable styles ranging from countless smooth and rough, delicate and rough, smooth and mottled, soft and hard, loose and choking generate. All the texture, often attributed to the morphological style and composition. Thus, a group of certain forms have a certain relationship between the texture, there will be a relatively same emotional information. In the same way, under different forms and different constitutional relationships, different emotional frameworks will certainly emerge. Recognition within this experience, through accumulation, has become an inexhaustible source of change and has become imagination and creativity. Print to me, that is, the individual experience of the system, I feel in the texture of personality under the imitation of emotions. I do print, just because I think it is different from other media can give me a special style of expression