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《画刊》:你如何看待“八五”美术新潮的艺术目标?杨小彦:“八五”美术新潮是一个历史现象,是“后文革”艺术试图从单一模式与政治工具的桎梏中出走的自然结果,更是整整一代艺术家的人文理想的时代显现。基于此,我对“八五”时期之艺术目标持正面看法。事实上,正是那场在思想解放召唤之下所发生的艺术运动,催生了今天多元化的艺术格局,也让个性表达成为可能。从这一点看,“八五”
“Pictorial”: How do you think about the artistic goal of “85” art trendy? Yang Xiaoyan: “85” The art trendy is a historical phenomenon, is the “post-Cultural Revolution” art attempts to change from a single model and political tools The natural outcome of the wandering in the world is even more apparent in the era of humanistic ideals of an entire generation of artists. Based on this, I hold a positive view on the artistic goals of the “Eighth Five-Year Plan” period. In fact, it was the artistic movement that took place under the call of ideological emancipation that gave birth to the diverse art scene of today and made the expression of individuality possible. From this point of view, “eight five ”