论文部分内容阅读
作为现代中外戏剧的巨匠,易卜生和曹禺的文学关系一直以来为学界所关注。曹禺本人也在不同的环境中提到易卜生与自己的关系,尽管表述有所不同,但是不能否认易卜生对其戏剧创作的影响。本文以易卜生《娜拉》和曹禺《雷雨》为例,从创作背景和形象差异两个方面探寻易卜生对曹禺的影响及曹禺对易卜生戏剧的超越。
As the masters of modern Chinese and foreign plays, the literary relations between Ibsen and Cao Yu have always been the concern of the academic circle. In his different contexts, Cao Yu himself mentions Ibsen’s relationship with himself. Despite the differences, Ibsen can not deny Ibsen’s influence on his dramatic work. Taking Ibsen’s Nora and Cao Yu’s Thunderstorm as an example, this article explores Ibsen’s influence on Cao Yu and Cao Yu’s surpass on Ibsen’s drama from two aspects: creative background and image difference.