《水浒转》作为一部描写农民起义的长篇小说无疑是成就卓著的,对众多的梁山泊英雄好汉形象的塑造也可谓是血肉丰满、色彩鲜明。然而,这并不代表作者在创造一个男性王国的同时也具有主动创造一个有内容有活力有健康制度与正常体制的女性天地的意识,由于主观和客观的种种限制与约束,作者在对小说中女性的形象的塑造上处处透露出他或者更准确地说是他那个时代男尊女卑、男主女附的落后思想。这些造成了这部已是够精彩的小说难免时断时续地给人以阳刚大炽而阴柔缺损的不协调感觉。 “Water Margin” as a novel depicting the peasant uprising is undoubtedly a remarkable achievement, the heroic image of many Liangshanpo hero can be described as flesh-filled, colorful. However, this does not mean that the author, while creating a male kingdom, also has the consciousness of actively creating a female world with content vitality, health system and normal system. Because of subjective and objective restrictions and constraints, The shaping of the image of the woman reveals everywhere that he or, to be more precise, the backward thinking of the male superiority and the female leader in his day. All these have caused this wonderful novel is unavoidably intermittent to give people masculine and feminine flaws of the uncoordinated feeling.