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多尼采蒂(1797—1848) Gaetano DONIZETTI当多尼采蒂被问到他觉得自己写的哪部作品最棒,他回答：“叫我怎么说呢?一个父亲总是更加疼爱跛脚的孩子,而我有太多跛孩子了。”我(查尔斯·哈雷爵士,曼彻斯特交响乐团的建立者)在1840和1841年间不时地遇到一位卓越人士,他就是多尼采蒂。他是那样一位与众不同、和蔼可亲、衣着体面的谦谦君子,和他的音乐一样优雅。他还很年轻,不过已经非常高产,那时已经创作了超过四十部歌剧。我记得和他谈起罗西尼,就问罗西尼是否真的在两周内写出了《理发师》。“噢,我很相信这话,”他说,“他一直都是那么懒!”我承认我满怀敬意与好奇地看着这个年轻人,他认为花上整整两星期写一部歌剧纯属浪费时间。
Donizetti (1797-1848) Gaetano DONIZETTI When Donizetti was asked which of his best works he wrote, he replied: “What do you want to say? A father always loves lame children more and I There are too many lame children. ”I (Sir Charles Harley, founder of the Manchester Symphony Orchestra) from time to time met a brilliant man from 1840 to 1841, and he was Donizetti. He was such a distinguished, amiable, well-dressed gentleman, as elegant as his music. He is still young, but very productive and has produced more than forty operas. I remember talking to him about Rossini, and asked if Rossini really wrote a “barber” within two weeks. “Oh, I believe it,” he said. “He's been so lazy!” I admit that I looked at the young man with respect and curiosity. He thought spending an entire two weeks writing an opera was a waste time.