近几年,我一直在思考当代美学如何才能有所突破、有所创新的问题。我的初步看法是,必须首先对传统形而上学主客二分的现成论思维方式有所超越。如何实现这种超越?我们现在一般都从西方现象学、存在主义(胡塞尔、海德格尔等)那里获得生成论的借鉴。但是,其实我们的老祖宗马克思的《巴黎手稿》中已经包含、渗透着极为丰富、深刻的生成论思想,而且已经应用到与审美直接相关的论题上 In recent years, I have been thinking about how contemporary aesthetics can make a breakthrough and have some innovative problems. My initial view is that we must first go beyond the traditional metaphysical subjective and objective thinking of the way beyond. How to achieve this transcendence? We are now generally derived from western phenomenology, existentialism (Husserl, Heidegger, etc.) where the derivation of the production of reference. However, in fact, the “Paris Manuscript” of our ancestor Marx already contains and permeates the extremely rich and profound thought of generativeism and has been applied to the topics directly related to the aesthetic