我是以一个临时工的身分被北京人艺接纳的。在这个只讲“五湖四海”的剧院里,我并没有因缺乏光荣的履历而受到歧视。1956年苏联专家来院办学习班,十级演员的我担任了主角布雷乔夫,和一些四五级的大演员同台并列,在旧社会的剧团这是难以想像的事…… 进院的第一课是《龙须沟》,导演焦菊隐在我面前打开了生活的大门,他说:“不必担心演技问题,走进去吧！熟悉一下角色的生活环境,认识一下左邻右舍,学会如何和他们相处……”就这样我闯过了第一道难关,跨进了艺术的殿堂…… I was accepted as a part-time employee by Beijing Renyi. In this theater that speaks only about “all corners of the globe,” I have not been discriminated against for lack of glorious resumes. 1956 Soviet experts to run a school classes, ten actors I served as the hero Brechov, and some four or five large actors on the same juxtaposition, the troupe in the old society this is unimaginable ... ... A lesson was “Longsugou”. Director Jiao Ju-hsin opened the door to life in front of me. He said: “Do not worry about performance problems. Come in! Get acquainted with your character’s living environment, learn from your neighbors, learn how to They get along ... ”So I broke through the first barrier, into the palace of art ... ...