“……他演奏时的姿势具有典范性,从容、尊严而优美,甚或没有丝毫愁眉苦脸的模样(只是由于耳聋的日益加重,他蜷缩在琴键上)。”车尔尼如是描写了1801年钢琴边的贝多芬。除极少数例外,这样的描述很难适用于今天的钢琴家,他们当中的大部分(不提其他器乐家)常常台风不雅。在电视上 “... his posture was exemplary, calm, dignified and graceful, or not without the slightest glare of his face (only curled up on the keys due to deafening aggravation).” Cényi described the 1801 piano side Beethoven. With a few exceptions, such descriptions are difficult to apply to today’s pianists, and most of them (not mentioning other instrumentalists) often undeclared. on television