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本文便以《王佛获救记》中所体现的艺术主题为切入点,分析小说中的三个主要人物王佛、林和汉皇帝在现实到艺术这个过程中的角色定位。这三个人物都与现实有着密不可分的关系,但就艺术而言,王佛这个角色无疑是离艺术最近的,林其次,而汉皇帝的存在则离艺术最远,或说仍停留在现实中。笔者正是希望通过这种分析为《王佛获救记》提供另一种赏析思路。玛格丽特·尤瑟纳尔是法国费米娜文学奖和伊拉斯谟奖的获得者,同时也是久负盛名的法兰西
This article starts with the theme of art embodied in the Book of Revival of the Buddha, and analyzes the role of the three main figures in the novel, Wang Fo, Lin and Han, in the process of reality to art. All three characters are closely linked with reality. However, in terms of art, the role of Wang Fo is undoubtedly the closest to art. Lin secondly, while the existence of the Han emperor is farthest from art or still remains in reality in. The author hopes that through this kind of analysis, it will provide another kind of appreciation ideas for “Wang Buddha”. Margaret Eusenar, winner of the French Fermina Literature Award and the Erasmus Prize, is also the prestigious French