戏曲在现代社会娱乐功能丧失,地方性逐渐退去,观众流失,面临巨大生存困境。作为源于生活,产生于民间的艺术形式,戏曲与群众文化密切相连,必须重新融进群众,在与群众文化的双向互动中,通过形成开放的创作主体和社会文化环境实现新生。 In the modern society, the opera has lost the entertainment function, the locality gradually receded, the audience lost and faced with the huge survival predicament. As an art form derived from life and originated from the folk, the opera is closely linked with the mass culture. It must be reintegrated into the masses and reborn as a two-way interaction with mass culture through the formation of an open creative body and a social and cultural environment.