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对中国电影而言,“文化大革命”的结束提供了一个发展的契机。一场波澜壮阔的思想解放运动很快从意识形态领域波及到电影艺术领域。思想的解放带来了艺术观念的解放。1979年,《电影艺术参考资料》第1期上发表了白景晟的文章《丢掉戏剧的拐杖》,首次对电影的戏剧化倾向提出了批评。紧接着,1979年第3期的《电影艺术》又发表了张暖昕、李陀的文章《谈电影语言的现代化》,指出时至今日仍然沿袭
For Chinese movies, the end of the “Cultural Revolution” provides an opportunity for development. A magnificent movement of ideological liberation quickly spread from the field of ideology to the field of cinema art. The liberation of ideas brought the liberation of artistic ideas. In 1979, Bai Jingsheng’s article “Crutches Dismissed from Theater” was published in the first issue of “Film Art Reference”, which criticized the dramatic tendency of the movie for the first time. Then, in the third issue of 1979, “Movie Art” published another article entitled “Modernization of Film Language” by Zhang Xin-Xin and Li Tuo, pointing out that it is still followed today