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把握世界的方式曾是德国古典哲学与美学讨论的一个重要问题.在康德与黑格尔等西方著名的哲学家、美学家眼里,艺术的方式是人与存在的本体对话绝对不可或缺的重要一环.如果我们将“艺术”一词所涉及的核心部分即图像方式稍加考察,就会发现,以图像方式与自然、社会交往和对话似乎是人类的一种天性.保存下来的新旧石器时代洞穴里如西班牙阿尔塔米拉洞穴中神秘的岩画及18世纪以来人类文化学家与考古学家遍及世界各原始民族的“艺术”发现证明了这一点:人类认识世界、与世界交往的多种多样方式中,图像方式曾是人类早期的主要方式.这与今天图文视听符号中文字符号居主导地位的状况恰好相反.
The way of grasping the world was once an important issue for discussing classical philosophy and aesthetics in Germany. In the eyes of well-known western philosophers and aesthetes, such as Kant and Hegel, the way of art is that the ontological dialogue between man and being is absolutely indispensable An important part of our work is that if we examine the core part of the word “art” in terms of images, we will find that it is human nature to interact with nature and society through images and that it is human nature. The mysterious petroglyphs in caves of the Stone Age, such as the Altamira caves in Spain, and the “artistic” discoveries of human cultures and archeologists throughout the original peoples of the world since the 18th century demonstrate that human beings know the world and interact with the world Among a variety of ways, the image mode was once the main mode of humanity in the early days, which is exactly the opposite of the dominance of the Chinese characters in today’s audio-visual symbols.