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最近的一年半载,高曙光真是星光高照,频频在影视剧里出镜,先是《浦江叙事》里的日资公司驻沪主管,而后是《玫瑰漩涡》里为情所困的尴尬丈夫,接着是《金融家》中自甘堕落的大公子、《悲情年代》中叱咤风云的蔡锷将军、《真空爱情纪录》中学生眼里的理想教师。其实,说他交了“星运”,还不如说是在近10年的艺术实践中所形成的刚柔相济的表演风格得到了认可。
In the recent year and a half, the dawn of the dawn is really star-studded, frequently appearing in television dramas, first in charge of Japanese companies in Shanghai’s “Pujiang narrative” and then as the embarrassed husband trapped in “Rose Swirl”, followed by “ Home ”degenerate grandfather,“ Sad Times ”all-powerful General Cai Ying,“ vacuum love record ”in the eyes of the ideal teacher. Actually, it is not as good as saying that he has given “Star Transportation” more than a recognition of the rigid and soft performing style formed in the past 10 years of artistic practice.