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在中国古代音乐文学史上,以齐言或长短句为主要歌辞形式的歌曲创作并行不悖,宋人早已清楚地认识到了这一点。李清照词“别是一家”之论,开宗明义即指出“乐府、声诗并著”;张炎《词源》序中亦以为“声诗间为长短句”。北宋太宗朝“乐府、声诗并著”的创作,王禹偁可谓典型。王禹偁有“谪居始信为儒苦”的生活,有“醉中官妓乞歌诗”的经历;有声诗《?田词》,也有“乐府”(曲子词)《点绛唇》,而他总以“词臣”的身份,时刻关注“风谣”、“山歌”修教易俗的意义,反映了北宋立国之始文人士大夫对声诗、“乐府”(曲子词)功能的明确认识。
In the history of Chinese ancient music and literature, songs written in the form of synopsis or short and long sentences are in parallel. Song people have clearly recognized this point. Li Qingzhao words “do not be a ” theory, the beginning of the meaning that “” Yuefu, poetry and poetry “; Zhang Yan” etymology “sequence also thought ” sound and poetry for the long and short sentences “. Northern Song Taizong Dynasty ”Yuefu, poetry and poetry “ creation, Wang Yu 偁 can be described as typical. Wang Yu 偁 has a life of ”Confucianism and Bitterness“, and ”Drunken prostitutes begging poems“ experience; voiced poem ”Tian“, but also ”Yuefu“ (song words) ”point He always paid attention to the significance of “folk rhymes” and “folk song” in the practice of religious custom, which reflected that the literati and doctor of the founding of the Northern Song dynasty had a profound understanding of the sound poetry, “Yuefu ” (song words) a clear understanding of the function.