白雪松的散文不是纯文艺腔调的作品,也不是精心刻意经营的篇什,甚至作家本人还不是名家。在我看来,作家所谓的名气并无多大价值,有时倒是一种负累。许多作家奉行现世写作,总希望自己的写作在现世得到回报,光鲜的麒麟皮下屡露马脚,文坛因此浑浊不堪。打开书卷,读者更愿意看到真性情扑面而来,而不是苦心孤诣地探幽索微,费心去研究作家所谓的深刻旨归,尤其在图像都快成为明日黄花的当今,作家要是让读者窝心难受,读者肯定想都不想 White Cedar’s essay is not purely literary style of work, nor is it deliberately business articles, and even the writer himself is not a famous person. In my opinion, the writer’s so-called fame has little value, sometimes it is a negative burden. Many writers pursue the world of writing, always want their own writing get rewarded in the present world, glossy unicorn exposed repeatedly under the hood, literary circles so muddy. Open the book, the reader is more willing to see true love blowing, instead of painstakingly exploring the micro-micro, bother to study the so-called profound purpose of the writer, especially in the image of the future will soon become yellow, writers should make readers feel uncomfortable, Readers certainly do not want to think