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一八五一年三月,威尔第的新歌剧即将在威尼斯首演,作曲家有一项奇特的要求:排演必须秘密进行,严格管控不准闲杂人等进出,而且担任公爵角色的男高音还得郑重承诺,正式演出之前,绝对不会在任何状况下演唱其中的任何一首咏叹调给别人听。威尔第念兹在兹小心保密的,就是这首《女人善变》。这首曲子在歌剧中前后出现两次,一次在第一幕,一次在第三幕,是公爵这个角色的印记,歌曲充分显示了他轻浮、善于调情的个性。
In March, 1851, Verdi’s new opera is about to be premiered in Venice. The composer has a peculiar demand: the rehearsal must be conducted in secret, with strict control over the inaccessibility of miscellaneous people, etc., and the tenor role of tenor To be solemn promised, before the official performance, never under any circumstances sings any one of the aria to others. Verdianzi hereby carefully confidential, is the first “woman fickleness.” The song appeared twice before and after the opera, once in the first act and once in the third act as the mark of the Duke, which fully demonstrated his flirtatious, flirtatious personality.