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影响深远的延安谱系是1940年代新崛起的鲁迅制像谱系,其源起可追溯到1930年代鲁迅图像中的“苏联影响”。这种影响不仅直接呈现在对苏联木刻风格形式的模仿上,更集中体现在将苏联美术中盛行的二元对立的思维模式深植于鲁迅图像之中,并视鲁迅为“中国高尔基”。剖析这一影响机制有助于进一步廓清百年鲁迅图像史的脉络源流,也有裨于勘验中国现代美术中的“苏联影响”之源。
The far-reaching Yan’an pedigree is the newly emerged Lu Xun system of imagery in the 1940s. Its origins date back to the “Soviet influence” in Lu Xun’s images of the 1930s. This influence is not only directly reflected in the imitation of the woodcut style of the Soviet Union, but also reflected in the deep thinking of the dualistic modes of thinking prevailing in Soviet art that are embedded in the images of Lu Xun and regarded Lu Xun as the “China Gorky” . Analyzing this influence mechanism helps to further clarify the origins and the origins of Lu Xun’s image history in the past 100 years and also helps to examine the origins of the “Soviet influence” in Chinese modern art.