论文部分内容阅读
安德列·塔尔科夫斯基(1932-1986)是二十世纪俄罗斯最伟大的电影奇才。他在近三十年的艺术生涯中只留下一部短片和七部长片,然而这其中的每一部都堪称是凝结心血的杰作。前苏联的特殊年代对其艺术天才的展现造成了极大限制,但却阻挡不了塔尔科夫斯基对生命精神的孜孜探索与追求。本文纵览其作,并试以其早期作品——《伊万的童年》和晚年精神探索力作——《乡愁》、《牺牲》为重点进行分析。
André Tarkovsky (1932-1986) was Russia’s greatest film genius in the twentieth century. He has left only one short film and seven feature films for nearly three decades of his career, yet each of these is a masterpiece of solidarity. The special era of the former Soviet Union posed a great limitation on the display of its artistic genius, but it can not stop Tarkovsky’s diligent exploration and pursuit of the spirit of life. This article reviews its work, and attempts to analyze its early works - “Ivan’s childhood” and spiritual exploration of old age - “nostalgia” and “sacrifice”.