弦乐演奏最基本的要求即是音准,小提琴演奏技巧的最难点亦是音准。因此,作为专业的小提琴演奏员仍然每天都要练习各种大小调性的单音和双音音阶,就是为了演奏时拉准每一个音符,演奏过程中时刻要注意音准。没有音准的概念,任何曲子的练习都是没有意义的,就好比吃饭不消化,看书不动脑的道理一样。小提琴采用的不是钢琴十二平均律,即使是同一个音在不同的调性中,音高也会不一样,所以小提琴的演奏理论上是没有绝对的音准,不可能完全像MD制作那样是精确平衡。因而需要演奏员练习的就是要在一个调性的乐句内和不同曲式的调性内,整体地仔细地辨听判断音高继而适时的调整音准。 The most basic requirement for string playing is pitch. The most difficult point of violin playing skills is pitch. Therefore, as a professional violinist is still practicing a variety of tonal monotone and double scale every day, that is, to pull every quasi-standard notes, playing time to pay attention to pitch. No tone of the concept, any song practice is meaningless, like eating indigestion, reading the same reason. Violin does not use the piano average law of twelve, even with the same tone in different tone, the pitch will be different, so the violin’s performance is theoretically no absolute pitch, can not be exactly as MD is as accurate balance. Therefore, it is necessary for the performer to practice in a tonal phrase and in different styles of tune, and to carefully and comprehensively judge the pitch and then adjust the pitch in time.