近几年来,中国当代艺术显现出国际化的发展趋势,由此带来了一系列新课题。针对这些课题,陶宏对中国国家画院副院长张晓凌进行了访谈。(以下陶宏简称陶,张晓凌简称张)陶:前几年曾就中国当代艺术在世界文化格局中的位置等问题对您作过访谈,您令人耳目一新的见解至今萦绕在耳。几年过去了,我觉得事情有了一些变化,获得国家背景的中国当代艺术频频出击,不动声色地在一定程度上修正了原有的被动态势。您如何看待这个变化? In recent years, Chinese contemporary art has shown an international trend of development, which has brought a series of new topics. In response to these topics, Tao Hong interviewed Zhang Xiaoling, vice president of China National Academy of Painting. Tao (referred to as Tao and Zhang Xiaoling for short) Zhang Tao: A few years ago you interviewed you about the position of Chinese contemporary art in the world cultural pattern. Your refreshing views have been lingering in the ears. A few years later, I think things have changed somewhat. Chinese contemporary art, which has obtained a national background, has been attacked frequently and has quietly corrected the original passive situation to a certain extent. How do you think of this change?