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主持人语:从远古到当下,中国侠文化是一个无尽的话题。“侠”的概念正式成立于战国晚期,随即在秦汉之际进入游侠黄金时代。此后,无论是侠的文史叙事抑或侠的社会存在,侠在中华文明历程中都始终是一个重要话题,数次形成高潮。中国侠文化的绵亘,其内在文化机理如何呢?借鉴普罗普的民间故事形态学,中国侠文化有无一个确定的叙事形态结构体系?1902年,马叙伦在《新世界学报》上提出
Moderator language: from ancient times to the present, Chinese Xia culture is an endless topic. “Man ” concept was formally established in the late Warring States period, then entered the golden age of Ranger in the Qin and Han dynasties. Since then, no matter narrative narrative of man or man or the social existence of chivalrous person, chivalry has always been an important topic in the course of Chinese civilization and formed a number of climaxes. What is the internal cultural mechanism of Chinese knight-errant culture? In the context of PROPL’s folk-story morphology, is there a definite structure of narrative form in Chinese knight-errant culture? In 1902, MA Xu-lun proposed in “New World Journal”