近两年,电影工作者接连摄制了两部反映我省少数民族斗争的故事影片:《山寨火种》和《火娃》。《山寨火种》是反映布依族生活的影片,《火娃》是反映苗族地区斗争生活的影片。应该说,两部影片主题思想都好,艺术上各有特色,都是粉碎“四人帮”以后的影坛新花。不过,也许是由于个人的偏爱,两部影片中,我更喜欢《火娃》这部影片。这部影片塑造了一个苗族少年火娃的可爱形象。艺术作品的主题思想,要通过性格鲜明的人物形象,以及人物与人物之间的关系,才能获得鲜明、生动的体现。因此,好的故事影片,总 In the past two years, filmmakers have successively produced two story films reflecting the struggle of ethnic minorities in our province: “cottage fire” and “fire baby.” “Fire in cottage” is a film that reflects the life of Buyi people. “Fire baby” is a film that reflects the struggle in Miao areas. It should be said that the theme of the two films is good and the art has its own unique characteristics. They are the new flowers of the film after the smashing of the “gang of four.” However, perhaps due to personal preference, I prefer the movie “Fire Baby” to both films. This movie has created a lovely image of a Miao teenager. The theme of the artwork can only be vividly and vividly reflected through the distinctive characters and the relations between characters and characters. So, good story videos, always