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汉代虽处于中国青铜时代的强弩之末,在铜镜的铸造上却大放异彩,被认为是中国铜镜史的高峰期之一。历来关于汉镜的著录虽然丰富,对于汉镜纹饰里和马有关的图像,却还未多见讨论。~([1])汉帝国向西北的扩张和经营,对良马的需求甚大,汉武帝求天马的故事家喻户晓,然而,汉代艺匠究竟如何描绘天马,在艺术史上还是有待研究的课题。~([2])近来奈良国立博物馆戮力而为,举办了以天马为题的特展,但在汉代文物的选取上,却忽略了汉镜的重要性。~([3])本文以考古出土品为主,疏整汉镜纹饰里和马有关的铭文和图像,期望能对学界的不足做一些补充。~([4])
Although the Han Dynasty was spent in the Chinese Bronze Age, shining in the bronze mirror casting, is considered to be one of the peak Chinese bronze mirror history. Although the history of Han mirror has always been rich, for han mirror decoration and horse-related images, but not yet more common discussion. The Han Empire’s expansion and operation to the northwest has a great demand for good horses. The story of Han Wudi seeking Tianma is a household name. However, it is still a subject to be studied in the history of art. ~ ([2]) Recently, the Nara National Museum made great efforts to hold a special exhibition entitled Pegasus, but in the selection of artifacts in the Han Dynasty, it ignored the importance of Han mirror. ~ ([3]) In this paper, the archaeological unearthed goods mainly dredge the inscriptions and images related to horses in Han mirror decoration, hoping to make some supplements to the academic deficiencies. ~ ([4])