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近年来中国古代墓葬美术研究的关注重点在时代上有所转移,大致由汉到魏晋南北朝再到宋元。具体到宋元时期,新近的研究普遍注重墓葬功能的阐释及图像涵义的解读。其研究路径或选取墓葬个案角度进行分析,如宣化下八里辽墓~([1])、登封黑山沟宋墓~([2]);或围绕主要图像题材加以探讨,如妇人启门图~([3])、夫妇共坐图~([4])、杂剧图~([5])、孝子图~([6])引等。这些研究视角和方法在汉画领域中大多有所实践~([7]),可以说是汉画研究理念在宋元领域的再应用。
In recent years, the focus of research on ancient tombs and art in China has shifted from the times to the Song and Yuan Dynasties. Specific to the Song and Yuan Dynasties, recent studies generally pay attention to the interpretation of the function of the tombs and interpretation of the image meaning. The study path or the case selection of tombs for analysis, such as the Xiuzuli Laliu Xuanhua ~ ([1]), Dengfeng Montenegro ditch Song Tomb ~ ([2]); or around the main theme of the subject matter to be explored, Figure ~ ([3]), couple sit map ~ ([4]), Zaju map ~ ([5]), filial son map ~ ([6]) cited. These research perspectives and methods have mostly been practiced in the field of Chinese painting ~ ([7]), which can be said to be the re-application of the concept of Chinese painting in the Song and Yuan dynasties.