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博物馆收藏自然、社会和文化藏品,并保管、记录、研究和展出它们。对于个体文物来说,这意味着文物和它们的原始环境分离,或者说切断了“关联”。在此称为“失去关联”。当这一现象发生以后,大多数原始文物的意义解释时发生了问题,至少在观众参观时是这样。这种丢失了意义的文物,不能被正确解释,或者有可能被曲解。这种现象需要弥补措施,生态博物馆不仅仅是关于物的,而也是关于人的。博物馆专家在此方面已经发明了很多方法。最简单和流行的方法是利用声像设备向人们展示原始环境的“原始的人和文物”。更进一步和有效的方法是人工制造模仿自然和社会的场景,配合电影、录像等向观众展示。更有雄心的博物馆将整个遗址和全部原始有形文物都复原到了博物馆中。人工制造的多种感官刺激的场景增强了观众参观的效果。此文将给出一些这样的实例。这种大踏步的“刺激”技术满足了人们的需求现状,博物馆具有了创建与自然和文化遗产相关的戏剧性效果的机会,使观众更容易欣赏和理解。例子将引用由哈左勒斯(译者注:瑞典人,在他40岁时,1873年创建史堪森民族博物馆)和亨利福特(亨利福特博物馆在美国的底特律,亨利福特是福特汽车公司创始人)的户外博物馆,以及建造完整的遗产展示,如完全人工景点,“韩国民族村”,房子中展示着艺术和工艺品,以及与他人们生活有关的自然环境。论文将探讨,人造景点和模仿展览的优点和局限性。
Museum collections of natural, social and cultural collections, and custody, record, study and exhibit them. For individual cultural relics, this means that the artifacts are separated from their original environment or cut off the “association.” This is called “loss of relevance.” When this phenomenon occurred, most original artifacts were explained in terms of their meaning, at least when the audience visited. Such lost cultural relics can not be correctly interpreted or may be distorted. This phenomenon requires remedies, and the eco-museum is not just about things, but also about people. Museum experts have invented many ways in this regard. The easiest and most popular way is to use audiovisual equipment to show people the “primitive people and artifacts” of the original environment. A further and effective method is to artificially create scenes that mimic nature and society and show the audience with films, videos and the like. The more ambitious museum restored the entire site and all the original tangibles to the museum. Artificial stimulation of a variety of sensory scenes to enhance the audience to visit the effect. This article will give some examples of this. This striding “stimulus” technology meets the needs of people, with museums creating opportunities to create dramatic effects related to nature and cultural heritage, making it easier for viewers to appreciate and understand. Examples will be quoted by Hazulles, founder of Ford Motor Company at Henry Ford (Henry Ford Museum of Detroit in the United States, Henry Ford at the age of 40 when he was 40 years old, founded the Scarson National Museum in 1873) People) outdoor museums, as well as the construction of a complete heritage display, such as the full artificial attractions, “Korean Village”, the house displays the arts and crafts, as well as the natural environment associated with the lives of others. The paper will explore the advantages and limitations of artificial attractions and mock exhibitions.