我从事木偶表演艺术已经有二十多年了。在这二十多年的艺术实践中,我深深体会到当一名木偶操纵演员很不简单,他要使一个“死”的木偶活起来,像人一样去反映生活,表现各种人物的喜、怒、哀、乐,非得下番苦功夫不可。要操纵好木偶,首先要有扎实的基本功。没有扎实的基本功,这个木偶就不听你的使唤,像 I have been engaged in puppet show art for more than twenty years. In these two decades of artistic practice, I deeply realized that when a puppet manipulates the actor is not simple, he wants to make a “dead” puppet alive, like people to reflect the life, the performance of various characters Hi, anger, sadness, music, have to work hard under pain. To manipulate the puppet, we must first have a solid basic skills. Without a solid foundation, this puppet does not listen to you, like