歌剧是一种高度综合的艺术,可以说既是充满戏剧的音乐,也是充满音乐的戏剧,并且不是简单地相加,而是二者结合产生的升华。中国歌剧界历来有两种观点:一种认为歌剧应该好听,要有几段一听就懂、一唱就会的唱段;一种认为歌剧的音乐应该更丰富、复杂,从而表现更深更广的人生。从这个角度来讲,歌剧《骆驼祥子》(作曲:郭文景,编剧:徐瑛,导演:易立明)二美兼具,既有给人留下极其深刻印象的唱段——如“虎妞之死”、“小福 Opera is a highly integrated art that can be said to be both dramatic music and musical theater, and not simply summed up, but the combination of both. The Chinese opera world has always had two kinds of viewpoints: one is that the opera should be nice, the verse should be understood after a few paragraphs, and the one that thinks the opera’s music should be richer and more complex, thus exhibiting deeper and broader aspects life. From this perspective, the opera ”Camel Xiangzi“ (Composer: Guo Wenjing, screenwriter: Xu Ying, director: Yi Liming) both the United States, both to give people a very impressive aria - such as ”tiger Death “, ” small blessing