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林白的小说《回廊之椅》将影视叙事技法消融在文学的表现形式之中,使读者既能享受到类似观影的“震惊”效果,又能品味到文学叙事的审美“灵韵”。这种小说中的电影化想象具体表现为三个方面:蒙太奇手法的综合运用、神秘氛围的渲染和大量悬疑的设置和富有动感和美感的镜头语言的运用。
Lin Bai’s novel The Chairs of the Cloister ablates the narrative technique of film and television in the manifestation of literature so that the reader can enjoy both the “shocking” effect of viewing the film and the aesthetic appreciation of literary narration rhyme". The cinematic imagination in this novel is embodied in three aspects: the comprehensive application of the montage technique, the rendering of the mysterious atmosphere, the setting of a large number of suspense and the application of the vigorous and aesthetic lens language.