准确上高音是歌唱技术的一个重要问题。如何上好高音也是众说纷纭。有人认为解决好高声区关键是中声区基础要打结实;喉咙打开;声音有气息支持等等。这些是上好高音的重要因素,但我们观察不少歌唱者,用漫长时间练中声区,中声区气顺,音园,可转入高声区时常常无法控制喉结往上提的毛病。有的人喉咙也打得开,可上高音颈肌还是堵塞感。有的人到了高声区转成另一种发暗发紧的声音,缺少男高音那种特有的辉煌的魅力。更有甚者到了高声区常常“咔嚓”出破音。可见以上观点不是解决高音的关键所在。现在男高音的高声区的训练已成为一 Accurate on the treble is an important issue of singing technology. How to make good tweets is also controversial. Some people think that the key to solve the high sound area is to sound the basis of the sound zone to fight solid; throat open; breathy atmosphere support and so on. These are some of the key factors that make good treble high. However, when we observe many singers, we have to spend a long time in practicing the sound zone. The sound zone in the sound zone and the sound park can not be controlled when we turn to the loud sound zone. . Some people also hit the throat open, but also on the treble neck or a sense of blockage. Some people turn to loud areas into darker, firmer voices, lacking the distinctive glamor of a tenor. What is worse to the loud area often “crack” a broken sound. Visible above view is not the key to solve the treble. The training of the tenor louder now has become one