我的书法以颜、欧楷书为基,以汉隶和金文、清代小篆为风格之拓展。在行草书中始终坚持二王一脉,以王羲之、米芾、赵孟頫行书为宗,草书取法唐人孙过庭《书谱》。年前几次参加市文联组织的“书画家‘深入生活扎根人民’下乡送春联送万福”活动。当我们一次次在街边摆开阵势为老百姓书写春联时,一拨拨大爷大婶们排着队争着要春联的场面总让大家感叹,基层太需要文化了!感叹之余,我则回想起少年时看人当街写春联,从羡慕之余到自己写春联,随后苦练书法, My calligraphy to Yan, Europe Kai-shing book-based, to Han Li and Jin Wen, Xiao Qing Dynasty style for the expansion. In the cursive scripture always adhere to the two kings and one pulse to Wang Xizhi, Mi Yang, Zhao Meng Du line books, cursive method of Tang Sun Sun court “book.” Several years ago to participate in the city Federation of literary and art circles “calligrapher ” deep rooted in people’s life When we again and again in the street to put on the battlefield for ordinary people to write couplets, a call to Grandpa ladies lined up for the Spring Festival couple’s scene always let everyone lament, the grass-roots too much culture! Sigh aside, I recall When young people read the couplets to write the couplets, from the envy of myself to write the couplets, then hard-working calligraphy,