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从“空间批评”的理论视角来看,建筑外壳不再是个静态的没有创造力的空间,家庭的空间形态也被看作是一个价值观念的象征系统。本文考察莱辛如何在其自传《在我的皮肤下》一书中,从对空间的结构、建筑以及周围环境特性的考察开始,用身体做出回应,来寻求一种与母性空间的个体联系,从而体验和观察所在空间,诠释殖民文化视域下的母女关系。
From the theoretical perspective of “space criticism”, the architectural shell is no longer a static and non-creative space, and the spatial form of the family is also regarded as a symbolic system of values. This article examines how Lessing, in her autobiography “Under My Skin,” begins with an examination of the structure of the space, the architecture, and the characteristics of the surrounding environment, and responds with the body to seek for an individual connection with the maternal space , So as to experience and observe the space where it exists and interpret the mother-daughter relationship in the context of colonial culture.