“珠海风波”及随后南北“真伪之争”的出现,绝非偶然,而是必然。它不仅真实地反映出当前国内书画鉴定界的混乱无序与无权威性,还向世人昭示了少数鉴定人士职业道德的伦丧与缺乏,我将之归纳为“三无”,即无序、无权威与无道德。亲属可不可打假?其鉴定有无权威性?近一时期,画家 The emergence of the “Zhuhai Storm” and the ensuing “war between authenticity and the north and south” is by no means accidental but inevitable. It not only truly reflects the disorderly and non-authoritative nature of the current identification of calligraphy and painting in China, but also shows the world the richness and lack of professional ethics of a handful of appraisers. I summed it up as “three noes” No authority and no ethics. Can kinsfolk relatives? Is there any authoritative identification? In a recent period, the painter