一首钢琴曲,始终以一个C音作为中心轴,围绕C音做各种不同组织的可能性,并使音乐呈现出丰富的音响效果,由此可见,作曲家的创作想象和技术功底已经具有极深的造诣。作曲家杨逢时的钢琴曲《C持续音》就是这样一首令人充满惊喜的乐曲。文章紧紧围绕C音这样一条珍贵的线索,较为深刻地探析了乐曲的发展脉络,对于其过程中所呈现出的织体设计、音响层次、音乐律动以及调性和声等方面作了较为详尽的介绍。 A piano song, always with a C-axis as the central axis, around the C tone to do a variety of different organizations and make the music show a rich sound effects, we can see that the creative imagination and technical skills of the composer already has Very profound attainments. Composer Yang Fengshi’s piano song “C continuous tone” is such a surprise full of music. The article closely clues to such a precious clue, a more profound analysis of the development of the music context, for the process presented by the design of the fabric, sound level, music rhythm and tonal harmony made a more detailed The introduction.