随着社会文化的急剧变革,中国戏曲从古代的俗文化演变成了新时期的雅文化。进入消费时代后,传统戏曲从主旨到题材等方面越来越与时代格格不入,因而面临前所未有的生存困境。这一切使得传统戏剧必须变革。为此,艺术家们做了大量工作以求适应新时代的要求。传统戏曲也因此在主题、题材、表现方法、舞台设计以及传播手段等方面悄悄发生着变化。消费社会的特点要求传统戏曲必须快速改革,然而传统戏曲自身的特点又决定了改革速度不不能太快。两难的选择导致传统戏曲始终徘徊于“传统”与“现代”之间而难以走向真正的现代化。 With the dramatic social and cultural changes, Chinese opera has evolved from ancient popular culture to elegant culture in the new era. After entering the era of consumption, the traditional opera is increasingly incompatible with the times in the aspects of the theme and the theme, and thus faces unprecedented difficulties in living. All this makes the traditional drama must change. To this end, artists have done a great deal of work to meet the requirements of the new era. As a result, traditional drama has quietly changed in themes, themes, performance methods, stage design and means of communication. The characteristics of the consumer society require that traditional Chinese opera must be rapidly reformed. However, the characteristics of traditional opera also determine the speed of reform not too fast. The dilemma of choice has led traditional Chinese opera to wander between “tradition” and “modern” all the time, making it difficult to move toward real modernization.