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20世纪后期以来,批评理论界出现了空间转向,空间这一概念超越了传统的地理学范畴和意义,并以极强的理论穿透力影响社会生活的方方面面。《卢布林的魔术师》有着突出的空间叙事的特点,小说的情节发展和故事进程通过空间的建构和转换得到了完美的呈现,对空间意象的巧妙运用,使读者更加关注故事与意义的深度与广度而不是时间的长度。本文将借助新文化地理学的知识和空间叙事理论解析《卢布林的魔术师》中的空间结构,以及渗透在空间结构中的主题意义。
Since the late 20th century, there has been a turning point in the field of critical theory. The notion of space transcends the scope and significance of traditional geography and affects all aspects of social life with strong theoretical penetration. “The magician of Lublin” has outstanding characteristics of space narration. The plot development and story process of the novel are perfectly presented through the construction and transformation of space. The clever use of the space image enables readers to pay more attention to the depth of the story and meaning With breadth rather than length of time. This article will use the knowledge of new cultural geography and spatial narrative theory to analyze the spatial structure of “magician in Lublin” and the theme of infiltration in the spatial structure.