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薇薇安·梅耶,一个默默无闻的美国保姆,成为近期美国乃至世界摄影界讨论的焦点。她在去世后留下了10万多幅时间跨度从20世纪50年代至90年代的街头摄影作品,其规模和质量都令人惊叹。《纽约时报》评论说:她“显然是美国最富有洞察力的街头摄影家之一。”《英国卫报》引用芝加哥文化中心的策展人兰尼·西尔弗曼的评论说:“她用一种彻底了解摄影史的风格来拍摄所有一切。”虽然薇薇安·梅耶身上还有许多谜团未解,但是她的作品让我们相信:她没有理由不在摄影历史上占有一席之地。
Vivian Mayer, an unknown American nanny, has become the focus of recent discussions in the photographic industry in the United States and the world. After her death, she has left more than 100,000 cross-street photographic works of spanning time from the 1950s to the 1990s with stunning scale and quality. The New York Times commented: “She is” apparently one of the most insightful street photographers in the United States. “” The Guardian quoted Ranny Silverman, curator of the Chicago Cultural Center, as saying: “She took everything in a style that thoroughly understood the history of photography.” "Although there are many mysteries in Vivian Mayer’s body, her work convinces us that she has no reason not to occupy photography history A place.