台湾女作家张晓风的剧作《和氏璧》由中央实验话剧院演出以来,在首都戏剧界引起较强烈的反响。9月19日,本刊邀请在京部分戏剧界人士对此剧演出进行座谈。应邀到会的有:曲六乙、颜冈、蒋维国、冯福生、杨竹青、蔡体良、李布尔、童道明、鲍黔明、李维新、王晓鹰;《和氏璧》导演文兴宇、舞美设计薛殿杰,以及剧组部分演员也参加了座谈会。会上有些同志的发言,涉及到当前话剧发展的许多重要问题,并形成了不同观点和看法。现将部分发言摘发如下,供同志们参考。 Taiwanese writer Zhang Xiaofeng’s play “Hebi Bi” has aroused strong repercussions in the capital theater industry since the performance of Central Experimental Theater. On September 19, the magazine invited some of the theater industry in Beijing to hold a panel discussion on the show. Invited to attend are: Qu Liu Liu, Yan Gang, Jiang Weiguo, Feng Fusheng, Yang Zhuqing, Cai Tailiang, Li Boer, Tongdao Ming, Bao Qianming, Li Weixin, Wang Xiaoying; “and Bi” director Wen Xingyu, Wu Mi design Xue Dianjie, as well as the crew part The cast also participated in the symposium. Some comrades at the meeting made speeches on many important issues concerning the current development of the drama and formed different views and opinions. Some of the speeches will now be taken as follows for your reference.