论文部分内容阅读
在20世纪风起云涌的革命浪潮中,国民党一方面以革命的原初意义为基点,既对自己的革命实践进行赞颂与美化,也对为革命做出贡献的英雄人物进行褒扬和奖恤;另一方面紧扣“我即革命”的主旨,对中国共产党的革命与其本党内的反叛行为进行批评和丑化。这样使得其所建构的“革命”文化呈现出“革命神圣”、“革命者光荣”与“唯我革命”的特点,而此特点在显示其不同于他者的同时,无疑也影响着其在大陆事业的成败。
In the turbulent tide of the 20th century, on the one hand, the Kuomintang, basing itself on the original meaning of revolution, celebrates and beautifies its own revolutionary practice as well as praising and rewarding heroes who contributed to the revolution. On the other hand, Closely linked to the theme of “I am a revolution”, I criticized and vilified the revolution of the Chinese Communist Party and the rebellion within its own party. In this way, the “revolutionary” culture that it constructs shows the characteristics of “divine revolution”, “glory of the revolutionaries” and “revolution of the only one”, and this feature shows that it is different from the other At the same time, it undoubtedly also affects the success or failure of their careers in the Mainland.