接读国立即将付梓的影视文论选《银屏的回声》,心中感触良多。就年龄而言,国立是我的学生辈,但这些年来,他已成为与我无话不谈的朋友。在京城影界中,或许我是看着他在影评的道路上迈着坚实的步伐,一个脚印一个脚印走过来的第一人。我认识国立是在80年代中期。1986年秋,我为中国电影发行放映学会准备首届年会,在审阅一大堆地(?)分会报选的论文中,有一篇题为《凝聚观众社会心理关注点》使我眼前为之一亮。其时正值电影观众刚刚开始退潮,这篇论文论述透彻,见解独到,有创见性,以敏锐的视角向创作进言,自然被一致选定为年会的入选论 After reading the National Film and Television Literary Opinion will soon be selected “echo of the screen,” a lot of feelings in my heart. As far as age is concerned, the state is my student generation, but over the years he has become a friend with whom I talk about it. In the film industry in Beijing, perhaps I was watching him on the road to film and television with a solid pace, a footprints walked by the first person. I know the state in the mid-1980s. In the autumn of 1986, I prepared for the first annual meeting of the China Film Distribution Project Society. In an essay on reviewing a large number of sub-chapters, there was an article titled “Converging the Social Psychological Concern of the Audience” . At a time when moviegoers just started to ebb, this essay is full of insightful, insightful and creative, with a keen perspective on creativity, and is naturally selected as the nomination for the annual meeting