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传统漆工艺赋予了后现代漆画家取之不尽的珍宝,更加明确的印证了,只有继承了传统的工艺,才能把中国的后现代漆画发扬光大,假如离开了传统,那中国的后现代漆画就如无本之木,无源之水,根本就没有发展下去的可能,但是我们要继承传统的话,那也并不意味着要照搬古文那样的老路和风格,我们可以去其糟粕,取其精华,使它可以很好的运用到现代的后现代漆画当中来,并能很好的符合现代人的情趣和需要。我们在创作后现代漆画的过程中,要注重师法自然,尊重自然,并在这些基础之上,合理的改进传统漆艺,大胆的创新和探索研究,以此不断的创造出更多更好的后现代漆画作品来。
Traditional lacquer technology gives the postmodern lacquer painter inexhaustible treasures, more clearly confirmed, and only inherited the traditional craft, in order to carry forward China’s postmodern lacquer, if left the tradition, that China’s postmodern lacquer There is no possibility that painting will be like no wood or passive water. However, if we inherit the traditional wisdom, that does not mean that we should copy old ways and styles of ancient texts and we can go to the dregs Its essence, so that it can be well applied to the modern post-modern paint among them, and can well meet the modern taste and needs. In the process of creating postmodern lacquer painting, we should pay attention to the nature of teacher-law practice and respect of nature. On these basis, we should reasonably improve traditional lacquer art, bold innovation and exploration and research so as to create more and more Good postmodern lacquer works come.